Smithsonian American Art Museum
Works
_SAAM-1929.8.584_1.tif/500px-Buddhist_incense_offering_goddesses_(possibly_Dhupa)_SAAM-1929.8.584_1.tif.jpg)
_SAAM-2015.58.24_1.jpg/500px-Untitled_(Cross)_SAAM-2015.58.24_1.jpg)
_SAAM-1929.8.345_1.jpg/500px-Kwan_Yin_(Goddess_of_Mercy)_SAAM-1929.8.345_1.jpg)
_SAAM-1978.66_1.tif/500px-E_Untitled_(St._Francesca_Romana)_SAAM-1978.66_1.tif.jpg)
_-_1980.126.5_-_Smithsonian_American_Art_Museum.jpg/500px-Anonymous_-_Mrs._William_Boswell_Lamb_(Margaret_Stuart_Kerr)_-_1980.126.5_-_Smithsonian_American_Art_Museum.jpg)
_SAAM-1931_5_1_1.jpg/500px-Mrs._Fenno_Knight_(née_du_Clois)_SAAM-1931_5_1_1.jpg)
_SAAM-1999.67.17_1.jpg/500px-Untitled_(Inuit_Fish_Decoy)_SAAM-1999.67.17_1.jpg)
_-_1996.91.16_-_Smithsonian_American_Art_Museum.jpg/500px-Goyena_family_-_Bisonte_con_palmeras_(Bison_with_Palm_Trees)_-_1996.91.16_-_Smithsonian_American_Art_Museum.jpg)
_-_1956.11.59_-_Smithsonian_American_Art_Museum.jpg/500px-Copy_after_Raphael_-_Head_of_the_Madonna_(from_la_Belle_Jardiniere)_-_1956.11.59_-_Smithsonian_American_Art_Museum.jpg)
_-_1989.87_-_Smithsonian_American_Art_Museum.jpg/500px-Anonymous_-_Untitled_(Harbor_Scene)_-_1989.87_-_Smithsonian_American_Art_Museum.jpg)
_SAAM-1997.86_1.jpg/500px-Christ_Crucified_(Cristo_Crucificado)_SAAM-1997.86_1.jpg)
_-_1944.7.3_-_Smithsonian_American_Art_Museum.jpg/500px-Anonymous_-_Mrs._William_Mather_Smith_(Helen_Livingston)_-_1944.7.3_-_Smithsonian_American_Art_Museum.jpg)
![Little Eagle, "Wad-ben-de-ba"](https://upload.wikimedia.org/wikipedia/commons/thumb/9/92/Anonymous_-_Little_Eagle,_"Wad-ben-de-ba"_-_1985.66.167,380_-_Smithsonian_American_Art_Museum.jpg/500px-Anonymous_-_Little_Eagle,_"Wad-ben-de-ba"_-_1985.66.167,380_-_Smithsonian_American_Art_Museum.jpg)
_-_1985.66.167,379_-_Smithsonian_American_Art_Museum.jpg/500px-Anonymous_-_Petelesharro_(Generous_Chief)_-_1985.66.167,379_-_Smithsonian_American_Art_Museum.jpg)
_-_1977.132_-_Smithsonian_American_Art_Museum.jpg/500px-Anonymous_-_(Portrait_Sketch_of_an_Actor)_-_1977.132_-_Smithsonian_American_Art_Museum.jpg)
_-_1956.7.3_-_Smithsonian_American_Art_Museum.jpg/500px-Anonymous_-_Mrs._Christopher_Burdick_(Lydia_Easton)_-_1956.7.3_-_Smithsonian_American_Art_Museum.jpg)
_-_1931.5.2_-_Smithsonian_American_Art_Museum.jpg/500px-Anonymous_-_Mrs._William_Crick_(Juliette_Knight)_-_1931.5.2_-_Smithsonian_American_Art_Museum.jpg)
_-_1985.66.164,592_-_Smithsonian_American_Art_Museum.jpg/500px-Anonymous_-_Portrait_of_a_Young_Man_(Seminole_Indian)_-_1985.66.164,592_-_Smithsonian_American_Art_Museum.jpg)
![The "Belle Creole" at New Orleans](https://upload.wikimedia.org/wikipedia/commons/thumb/5/5a/The_"Belle_Creole"_at_New_Orleans,_ca._1845-1849_SAAM-2020.20.270_1.jpg/500px-The_"Belle_Creole"_at_New_Orleans,_ca._1845-1849_SAAM-2020.20.270_1.jpg)
_-_1964.13.1_-_Smithsonian_American_Art_Museum.jpg/500px-Anonymous_-_Sarah_Cherry_(Mrs._Thomas_Gatchell)_-_1964.13.1_-_Smithsonian_American_Art_Museum.jpg)
_-_1986.65.155_-_Smithsonian_American_Art_Museum.jpg/500px-Anonymous_-_Landscape_(possibly_of_Staten_Island,_New_York)_-_1986.65.155_-_Smithsonian_American_Art_Museum.jpg)
_SAAM-1986.65.303_1.jpg/500px-Untitled_(American_Indian_Man)_SAAM-1986.65.303_1.jpg)
-saam_1986.65.384.jpg/500px-Untitled_(American_Indian_Woman)-saam_1986.65.384.jpg)
-saam_1968.155.132.jpg/500px-Cast_of_Unidentified_Right_Hand,_Possibly_Cornelius_Vanderbilt's_(one_finger_missing)-saam_1968.155.132.jpg)
-saam_2016.38.75.jpg/500px-Untitled_(Eagle_Weathervane)-saam_2016.38.75.jpg)
_SAAM-1986.65.290_1.jpg/500px-Untitled_(Cigar_Store_Female_Figure)_SAAM-1986.65.290_1.jpg)
-saam_2016.38.83.jpg/500px-Untitled_(Snake_Trivet)-saam_2016.38.83.jpg)
_SAAM-1974.88.4_1.jpg/500px-Isabel_Cottier_(Ella)_SAAM-1974.88.4_1.jpg)
_saam_1983.101.3.jpg/500px-Lafayette_(model_for_colossal_statue)_saam_1983.101.3.jpg)
-saam_2016.38.80.jpg/500px-Untitled_(Memory_Jug)-saam_2016.38.80.jpg)
-saam_1965.18.52.jpg/500px-(Lincoln_Memorial)-saam_1965.18.52.jpg)
_SAAM-1974.28.54_1.jpg/500px-Untitled_(mural_study)_SAAM-1974.28.54_1.jpg)
_saam_1958.11.15.jpg/500px-Philosophy_(bust_of_figure_on_front_facade_of_New_York_Public_Library)_saam_1958.11.15.jpg)
-saam_2016.38.71.jpg/500px-Untitled_(Cast_Iron_Eagle_from_White_Eagle_Oil_Company)-saam_2016.38.71.jpg)
-saam_2016.38.72.jpg/500px-Untitled_(Cast_Iron_Eagle_from_White_Eagle_Oil_Company)-saam_2016.38.72.jpg)
-saam_2016.38.79.jpg/500px-Untitled_(Swan_Decoy_from_Delaware)-saam_2016.38.79.jpg)
![Paderewski "The Man"](https://upload.wikimedia.org/wikipedia/commons/thumb/2/2d/Paderewski_"The_Man"-saam_1985.73.1.jpg/500px-Paderewski_"The_Man"-saam_1985.73.1.jpg)
-saam_1966.47.39.jpg/500px-Venus_Anadyomene_(1)-saam_1966.47.39.jpg)
-saam_1965.16.33.jpg/500px-Actaeon_(1)-saam_1965.16.33.jpg)
_SAAM-1986.65.339_1.jpg/500px-Untitled_(Coyote_and_Turtle)_SAAM-1986.65.339_1.jpg)
.jpg/500px-Cattle_Thieves_Surprised_by_Posse_(mural_study,_Burns,_Oregon_Post_Office).jpg)
1921
View from Arlington Heights, with Chautaqua Tents and the Washington Monument in the Background
_1929_6_125_1a.JPG/500px-Portrait_of_a_Woman_(Miss_Gertrude_Bloede)_1929_6_125_1a.JPG)
_-_1929.6.114_-_Smithsonian_American_Art_Museum.jpg/500px-Abbott_Handerson_Thayer_-_Brother_and_Sister_(Mary_and_Gerald_Thayer)_-_1929.6.114_-_Smithsonian_American_Art_Museum.jpg)
_1929_6_124_1a.JPG/500px-Portrait_of_a_Lady_(Mrs._William_B._Cabot)_1929_6_124_1a.JPG)
_-_Google_Art_Project.jpg/500px-Abbott_Handerson_Thayer_-_My_Children_(Mary,_Gerald,_and_Gladys_Thayer)_-_Google_Art_Project.jpg)
,_SAAM-1924.4.1_1.jpg/500px-The_First_Gun_at_Fort_Sumter_(Major_Robert_Anderson),_SAAM-1924.4.1_1.jpg)
.jpg/500px-Albert_Pinkham_Ryder_-_The_Lorelei_(c.1896_-_1917).jpg)
.jpg/500px-Albert_Pinkham_Ryder_-_The_Lovers'_Boat_(c.1881).jpg)
-saam_2017.26.jpg/500px-Buffalo_(model_for_Q_Street_Bridge)-saam_2017.26.jpg)
_SAAM-1998.48_1.jpg/500px-The_Prince_of_Wales_(Edward_VIII)_SAAM-1998.48_1.jpg)
_SAAM-1974.28.366_1.jpg/500px-Transportation_of_the_Mail_(mural_study,_U._S._Post_Office_Department,_Washington,_D.C.)_SAAM-1974.28.366_1.jpg)
.jpg/500px-The_Last_Halt-_Stop_of_Hooker’s_Band_in_East_Hartford_before_Crossing_River_(Study_for_East_Hartford,_Connecticut_Postal_Station_Mural).jpg)
_Ten_Broeck-saam_2019.6.10.jpg/500px-Portrait_of_Helen_(Lena)_Ten_Broeck-saam_2019.6.10.jpg)
_SAAM-1991.87_1.jpg/500px-Untitled_(Angel)_SAAM-1991.87_1.jpg)
_-_1950.4.8_-_Smithsonian_American_Art_Museum.jpg/500px-Anson_Dickinson_-_Mrs._George_Washington_Rodgers_(Ann_Perry)_-_1950.4.8_-_Smithsonian_American_Art_Museum.jpg)
![The Ocean-Going Tug "May McWilliams"](https://upload.wikimedia.org/wikipedia/commons/thumb/2/22/Antonio_Jacobsen_-_The_Ocean-Going_Tug_"May_McWilliams"_-_1966.83_-_Smithsonian_American_Art_Museum.jpg/500px-Antonio_Jacobsen_-_The_Ocean-Going_Tug_"May_McWilliams"_-_1966.83_-_Smithsonian_American_Art_Museum.jpg)
_-_1985.66.295,538_-_Smithsonian_American_Art_Museum.jpg/500px-Antonion_Zeno_Shindler_-_Keokuk_(The_Watchful_Fox)_-_1985.66.295,538_-_Smithsonian_American_Art_Museum.jpg)
,_Junior_-_1985.66.295,539_-_Smithsonian_American_Art_Museum.jpg/500px-Antonion_Zeno_Shindler_-_Keokuk_(The_Watchful_Fox),_Junior_-_1985.66.295,539_-_Smithsonian_American_Art_Museum.jpg)
_-_1985.66.295,543_-_Smithsonian_American_Art_Museum.jpg/500px-Antonion_Zeno_Shindler_-_Chan-ku-wash-te-mine_(Good_Road_Woman)_-_1985.66.295,543_-_Smithsonian_American_Art_Museum.jpg)
_-_1985.66.295,542_-_Smithsonian_American_Art_Museum.jpg/500px-Antonion_Zeno_Shindler_-_Che-tan-ce-ta_(Yellow_Hawk)_-_1985.66.295,542_-_Smithsonian_American_Art_Museum.jpg)
_-_1985.66.295,541_-_Smithsonian_American_Art_Museum.jpg/500px-Antonion_Zeno_Shindler_-_Chetan-woa-kutoa-mang_(The_Hawk_Who_Hunts_Walking)_-_1985.66.295,541_-_Smithsonian_American_Art_Museum.jpg)
_-_1985.66.128,428_-_Smithsonian_American_Art_Museum.jpg/500px-Antonion_Zeno_Shindler_-_Chunka-ah-luta_(Red_Dog)_-_1985.66.128,428_-_Smithsonian_American_Art_Museum.jpg)
_-_1985.66.128,427_-_Smithsonian_American_Art_Museum.jpg/500px-Antonion_Zeno_Shindler_-_Mak-phe-ah-luta_(Red_Cloud)_-_1985.66.128,427_-_Smithsonian_American_Art_Museum.jpg)
_-_1985.66.128,430_-_Smithsonian_American_Art_Museum.jpg/500px-Antonion_Zeno_Shindler_-_O-mata-ah-luta_(Red_Plume)_-_1985.66.128,430_-_Smithsonian_American_Art_Museum.jpg)
_-_1985.66.295,540_-_Smithsonian_American_Art_Museum.jpg/500px-Antonion_Zeno_Shindler_-_Ta-do-udo-sa_(Prairie_Chicken)_-_1985.66.295,540_-_Smithsonian_American_Art_Museum.jpg)
_-_1985.66.128,429_-_Smithsonian_American_Art_Museum.jpg/500px-Antonion_Zeno_Shindler_-_Tatanka_(Buffalo)_-_1985.66.128,429_-_Smithsonian_American_Art_Museum.jpg)
_SAAM-1974.28.34_1.jpg/500px-Stockade_Builders_and_Moving_Westward_(mural_study,_Red_Cloud,_Nebraska_Post_Office)_SAAM-1974.28.34_1.jpg)
_SAAM-1987.45.2_1.jpg/500px-The_Legend_of_Bubbling_Springs_(mural_study,_Manitou_Springs,_Colorado_Post_Office)_SAAM-1987.45.2_1.jpg)
_SAAM-1974.28.24_1.jpg/500px-Railroading_(mural_study,_Chillicothe,_Illinois_Post_Office)_SAAM-1974.28.24_1.jpg)
.jpg/500px-Skating_on_Bonaparte’s_Pond_(mural_study,_Bordentown,_New_Jersey_Post_Office).jpg)
_SAAM-1974.28.371_1.jpg/500px-The_Riveter_(mural_study,_Bronx,_New_York_central_postal_station)_SAAM-1974.28.371_1.jpg)
_SAAM-1974.28.80_1.jpg/500px-Settlers_in_Collingsworth_County_(study_for_mural,_Wellington,_Texas_Post_Office)_SAAM-1974.28.80_1.jpg)
_-_1971.377_-_Smithsonian_American_Art_Museum.jpg/500px-Bertha_E._Perrie_-_Untitled_(Flowers)_-_1971.377_-_Smithsonian_American_Art_Museum.jpg)
_SAAM-1974.28.1_1.jpg/500px-Lumbering_in_Arkansas_(mural_study,_Siloam_Springs,_Arkansas_Post_Office)_SAAM-1974.28.1_1.jpg)
![Menes, Moses, Hammurabi (mural study, "The Law Givers," U.S. Department of Justice, Washington, D.C.)](https://upload.wikimedia.org/wikipedia/commons/thumb/f/fb/Menes,_Moses,_Hammurabi_(mural_study,_"The_Law_Givers,"_U.S._Department_of_Justice,_Washington,_D.C.),_SAAM-1974.28.340_1.jpg/500px-Menes,_Moses,_Hammurabi_(mural_study,_"The_Law_Givers,"_U.S._Department_of_Justice,_Washington,_D.C.),_SAAM-1974.28.340_1.jpg)
!["FIND THE MISSING MAN SALOON" Puzzle Bottle](https://upload.wikimedia.org/wikipedia/commons/thumb/8/89/"FIND_THE_MISSING_MAN_SALOON"_Puzzle_Bottle-saam_1986.65.343.jpg/500px-"FIND_THE_MISSING_MAN_SALOON"_Puzzle_Bottle-saam_1986.65.343.jpg)
_SAAM-1962.8.61_1.jpg/500px-(Cotton_Pickers,_study_for_mural)_SAAM-1962.8.61_1.jpg)
_SAAM-1962.13.26_1.jpg/500px-A_Market_Day_(Church_of_St._Jacques,_Ghent,_Belgium)_SAAM-1962.13.26_1.jpg)
_-_Google_Art_Project.jpg/500px-Cecilia_Beaux_-_Man_with_the_Cat_(Henry_Sturgis_Drinker)_-_Google_Art_Project.jpg)
_-_1985.66.258,359_-_Smithsonian_American_Art_Museum.jpg/500px-Charles_Bird_King_-_Jack-o-pa_(The_Six)_-_1985.66.258,359_-_Smithsonian_American_Art_Museum.jpg)
_-_1985.66.258,362_-_Smithsonian_American_Art_Museum.jpg/500px-Charles_Bird_King_-_No_Heart_(Nan-che-ning-ga)_-_1985.66.258,362_-_Smithsonian_American_Art_Museum.jpg)
_saam_1968.40.jpg/500px-Memorial_to_Major_General_George_Gordon_Meade_(preliminary_model)_saam_1968.40.jpg)
_SAAM-1974.28.312_1.jpg/500px-Aspects_of_the_American_Industrial_Scene_(mural_study_for_U.S._Department_of_Labor,_Washington,_D.C._)_SAAM-1974.28.312_1.jpg)
_SAAM-1962.8.10_1.jpg/500px-Landscape_(mural_study,_Cornelia,_Georgia_Post_Office)_SAAM-1962.8.10_1.jpg)
.jpg/500px-Threshing_Barley_(mural_study,_Chilton,_Wisconsin_Post_Office).jpg)
_SAAM-1929.6.57_1.jpg/500px-Lillie_(Lillie_Langtry)_SAAM-1929.6.57_1.jpg)
.jpg/500px-Childe_Hassam_-_The_South_Ledges,_Appledore_-_Google_Art_Project_(576052).jpg)
_-_1959.7.19_-_Smithsonian_American_Art_Museum.jpg/500px-Christopher_Greiner_-_John_Vaughan_(or_Uriah)_-_1959.7.19_-_Smithsonian_American_Art_Museum.jpg)
_-_1914.6.1_-_Smithsonian_American_Art_Museum.jpg/500px-Clara_Taggart_MacChesney_-_A_Good_Story_(Portrait_of_Robert_Loftin_Newman)_-_1914.6.1_-_Smithsonian_American_Art_Museum.jpg)
_SAAM-1974.28.10_1.jpg/500px-Homes,_Past_and_Present_(mural_study,_Portsmouth,_Ohio_Post_Office)_SAAM-1974.28.10_1.jpg)
_SAAM-1962.8.58_1.jpg/500px-Rural_Free_Delivery_(mural_study,_Leon,_Iowa_Post_Office)_SAAM-1962.8.58_1.jpg)
_SAAM-1974.28.305_1.jpg/500px-The_Land_is_Bought_from_the_Indians_(Study_for_mural,_Blakely,_Georgia_post_office)_SAAM-1974.28.305_1.jpg)
_SAAM-1974.28.20_1.jpg/500px-The_Run_April_22,_1889–Taking_the_Lead_(mural_study_Yukon,_Oklahoma_Post_Office)_SAAM-1974.28.20_1.jpg)
_SAAM-1965.18.53_1.jpg/500px-Town_Store_and_Post_Office_(mural_study,_Vidalia,_Georgia_Post_Office)_SAAM-1965.18.53_1.jpg)
.jpg/500px-Daniel_Garber_-_Tohickon_(1920).jpg)
_SAAM-1974.28.35_1.jpg/500px-Logging_in_Louisiana_Swamps_(mural_study,_Winnsboro,_Louisiana_Post_Office)_SAAM-1974.28.35_1.jpg)
_SAAM-1974.28.18_1.jpg/500px-Good_News_and_Bad_(mural_study,_Flora,_Illinois_Post_Office)_SAAM-1974.28.18_1.jpg)
_SAAM-1974.28.51_1.jpg/500px-The_Cultivation_of_Raspberries_(mural_study,_Hopkins,_Minnesota_Post_Office)_SAAM-1974.28.51_1.jpg)
_SAAM-1974.28.52_1.jpg/500px-The_Cultivation_of_Raspberries_(mural_study,_Hopkins,_Minnesota_Post_Office)_SAAM-1974.28.52_1.jpg)
_SAAM-1965.18.61_1.jpg/500px-Indiana_Farming_(mural_study,_Tipton,_Indiana_Post_Office)_SAAM-1965.18.61_1.jpg)
.jpg/500px-Eanger_Irving_Couse_-_Walpi_Pueblo_(1903).jpg)
,_(Study_for_mural,_Decatur,_Illinois_post_office)_SAAM-1974.28.304_1.jpg/500px-The_Discovery,_Use_and_Conservation_of_Natural_Resources_(Carl_Sandberg_and_Frank_Lloyd_Wright),_(Study_for_mural,_Decatur,_Illinois_post_office)_SAAM-1974.28.304_1.jpg)
_(study_for_Tallahassee_mural)_SAAM-1980.128.7_1.jpg/500px-Bimini_(Aborigine)_(study_for_Tallahassee_mural)_SAAM-1980.128.7_1.jpg)
_SAAM-1980.128.12_1.jpg/500px-Florida_Today_(study_for_Tallahassee_mural)_SAAM-1980.128.12_1.jpg)
_SAAM-1980.128.8_1.jpg/500px-Juan_Ponce_de_Leon_(study_for_Tallahassee_mural)_SAAM-1980.128.8_1.jpg)
_SAAM-1980.128.11_1.jpg/500px-Osceola_(study_for_Tallahassee_mural)_SAAM-1980.128.11_1.jpg)
_SAAM-1980.128.9_1.jpg/500px-Saturiba_and_Laudonniere_(study_for_Tallahassee_mural)_SAAM-1980.128.9_1.jpg)
_SAAM-1980.128.10_1.jpg/500px-Sir_Francis_Drake_(study_for_Tallahassee_mural)_SAAM-1980.128.10_1.jpg)
_-_1980.29.2_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Greene_Malbone_-_Mrs._John_Corlis_(Susannah_CondÌ©_Russell)_-_1980.29.2_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.296_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Greene_Malbone_-_Mrs._Joseph_Manigault_(Charlotte_Drayton)_-_1970.296_-_Smithsonian_American_Art_Museum.jpg)
![Panther and Cubs--"Maternal Affection"](https://upload.wikimedia.org/wikipedia/commons/thumb/3/31/Panther_and_Cubs--"Maternal_Affection"_saam_1984.141.7.jpg/500px-Panther_and_Cubs--"Maternal_Affection"_saam_1984.141.7.jpg)
![Panther--"Aroused"](https://upload.wikimedia.org/wikipedia/commons/thumb/7/72/Panther--"Aroused"_saam_1984.141.9.jpg/500px-Panther--"Aroused"_saam_1984.141.9.jpg)
.jpg/500px-Flop_House_).jpg)
.jpg/500px-Growth_of_Democracy_in_Illinois_(mural_study,_Decatur,_Illinois_Post_Office).jpg)
_-_1983.95.64_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Landscape_(trees_and_rocks_by_lake)_-_1983.95.64_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.65_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Landscape_(trees)_-_1983.95.65_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.106_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Squall,_Brenton_Light_(boat_in_storm,_lighthouse_in_background)_-_1983.95.106_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.98_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(cattle_near_river_with_sailboat_in_distance)_-_1983.95.98_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.122_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(five_cows_grazing_with_trees_and_river_in_background)_-_1983.95.122_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.152_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(floral_still_life)_-_1983.95.152_-_Smithsonian_American_Art_Museum.jpg)
_by_Edward_Mitchell_Bannister_-_SAAM-1983.95.71_1.jpg/500px-Untitled_(Four_Cows_Wading_in_Pond)_by_Edward_Mitchell_Bannister_-_SAAM-1983.95.71_1.jpg)
_-_1983.95.79_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape_with_house_in_background)_-_1983.95.79_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.120_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape_with_man_plowing_fields)_-_1983.95.120_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.70_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape_with_meadow_and_trees)_-_1983.95.70_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.151_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape_with_oxen_and_haycart_crossing_bridge)_-_1983.95.151_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.73_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape_with_pier)_-_1983.95.73_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.141_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape_with_road_near_stream_and_trees)_-_1983.95.141_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.90_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape_with_rock_in_foreground_and_roof_with_steeple,_lake_in_background)_-_1983.95.90_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.148_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape_with_trees)_-_1983.95.148_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.132_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(Landscape_with_Two_Women_Reclining_on_Rocks)_-_1983.95.132_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.95_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape,_cloudy_sky)_-_1983.95.95_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.136_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape,_riverbank,_three_cows)_-_1983.95.136_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.87_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape-woman_carrying_wood)_-_1983.95.87_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.123_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(man_on_horse_with_woman_and_dog)_-_1983.95.123_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.80_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(man_with_cows_grazing_near_pond_with_house_and_trees_in_background)_-_1983.95.80_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.131_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(mountainous_landscape_with_rock_and_stream_in_foreground)_-_1983.95.131_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.154_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(woman_with_cattle_and_sheep_at_dusk)_-_1983.95.154_-_Smithsonian_American_Art_Museum.jpg)
_-_1984.135.1_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(Wood_Scene_with_Birch_Trees_and_Ducks)_-_1984.135.1_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.143_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(man_with_two_oxen)_-_1983.95.143_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.137_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(woman_walking_with_cow)_-_1983.95.137_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.133_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(forest_scene,_fallen_tree_in_foreground_and_house_in_background)_-_1983.95.133_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.97_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(sailboat_in_river)_-_1983.95.97_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.92_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(shepherd_with_sheep)_-_1983.95.92_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.112_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape,_boat_moored_near_stream,_man_walking_in_foreground)_-_1983.95.112_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.94_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape,_woodcutter_on_path)_-_1983.95.94_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.69_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(man_on_horseback,_woman_on_foot_driving_cattle)_-_1983.95.69_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.145_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(five_cows_in_pasture)_-_1983.95.145_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.93_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(cows_descending_hillside)_-_1983.95.93_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.140_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape_with_cows_and_trees)_-_1983.95.140_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.117_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape_with_cows_in_stream_near_trees)_-_1983.95.117_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.86_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(man_on_path_with_trees_in_background)_-_1983.95.86_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.83_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(cows_on_path_in_forest)_-_1983.95.83_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.75_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(sunset_with_quarter_moon_and_farmhouse)_-_1983.95.75_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.110_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape,_man_on_horse)_-_1983.95.110_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.153_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(boy_and_man_with_oxen)_-_1983.95.153_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.139_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape_with_cows_grazing_near_river)_-_1983.95.139_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.74_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape_with_cows_grazing,_hills)_-_1983.95.74_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.150_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape,_trees_near_river)_-_1983.95.150_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.115_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape,_fields_with_rocks_and_trees)_-_1983.95.115_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.116_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape,_forest_scene_with_red_fence_and_building)_-_1983.95.116_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.113_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(shoreline_with_sailboats_and_roof)_-_1983.95.113_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.100_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_The_Drinking_Pool_(three_women_at_water)_-_1983.95.100_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.72_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(five_cows_in_pasture,_rooftop_in_background)_-_1983.95.72_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.128_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape_with_rocks)_-_1983.95.128_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.130_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape_with_trees_and_woman)_-_1983.95.130_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.102_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_The_Drinking_Pool_(man_in_cart_with_oxen_at_pool)_-_1983.95.102_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.118_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(house_in_woods_near_lake)_-_1983.95.118_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.129_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape_with_rocks,_man_and_sailboats)_-_1983.95.129_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.91_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape_with_trees_and_two_cows_in_meadow)_-_1983.95.91_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.114_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape,_boat_moored_near_bank_with_man_walking)_-_1983.95.114_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.144_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(forest_scene_with_bridge,_cows_in_stream_in_foreground)_-_1983.95.144_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.77_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape_with_cattle_grazing)_-_1983.95.77_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.127_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(houses_and_trees)_-_1983.95.127_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.135_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape_with_rocks)_-_1983.95.135_-_Smithsonian_American_Art_Museum.jpg)
_-_1983.95.134_-_Smithsonian_American_Art_Museum.jpg/500px-Edward_Mitchell_Bannister_-_Untitled_(landscape_with_two_cows)_-_1983.95.134_-_Smithsonian_American_Art_Museum.jpg)
.jpg/500px-The_Davis_Children_(Eliza_Cheever_Davis_and_John_Derby_Davis).jpg)
.jpg/500px-People_of_the_Soil_(mural_study,_Dickson,_Tennessee_Post_Office).jpg)
_SAAM-1985.8.26_1.jpg/500px-The_Fur_Traders_(Study_for_St._Anthony,_Idaho_Post_Office_Mural)_SAAM-1985.8.26_1.jpg)
.jpg/500px-The_Ploughman_(mural_study).jpg)
.jpg/500px-Elliott_Daingerfield_-_Bringing_home_the_new_born_lamb_(1890).jpg)
.jpg/500px-Elliott_Daingerfield_-_Return_from_the_farm_(1915-20).jpg)
_SAAM-1962.8.45_1.jpg/500px-Iron_Ore_Mines_(Ely,_study_for_mural)_SAAM-1962.8.45_1.jpg)
_SAAM-1974.28.124_1.jpg/500px-Development_of_the_Land_(Mural_Study,_Ladysmith,_Wisconsin_Post_Office)_SAAM-1974.28.124_1.jpg)
_-_Google_Art_Project.jpg/500px-Emanuel_Gottlieb_Leutze_-_Westward_the_Course_of_Empire_Takes_Its_Way_(mural_study,_U.S._Capitol)_-_Google_Art_Project.jpg)
_SAAM-1974.28.303_1.jpg/500px-Contemporary_Justice_and_Woman_(mural_study,_Justice_Department_Building,_Washington,_D._C.)_SAAM-1974.28.303_1.jpg)
_SAAM-1962.8.5_1.jpg/500px-South_County_Life_in_the_Days_of_the_Narragansett_Planters_(mural_study,_Wakefield,_Rhode_Island_Post_Office)_SAAM-1962.8.5_1.jpg)
.jpg/500px-Afternoon_on_a_Texas_Ranch_(mural_study,_Lampasas,_Texas_Post_Office).jpg)
_(mural_study,_Washington,_D.C._Post_Office)_SAAM-1974.28.39_1.jpg/500px-(Human_Life)_(mural_study,_Washington,_D.C._Post_Office)_SAAM-1974.28.39_1.jpg)
_SAAM-1962.8.27_1.jpg/500px-Arrival_of_Colonel_John_Donaldson_(design_for_mural)_SAAM-1962.8.27_1.jpg)
_SAAM-1965.18.79_1.jpg/500px-Abundance_of_Today_(mural_study,_Clarksville,_Tennessee_Post_Office)_SAAM-1965.18.79_1.jpg)
_SAAM-1985.8.16_1.jpg/500px-Cotton_Scene_(Study_for_Hartselle,_Alabama_Post_Office_Mural)_SAAM-1985.8.16_1.jpg)
_SAAM-1974.28.315_1.jpg/500px-Mine_Rescue_(mural_study_for_Kellogg,_Idaho_Post_Office)_SAAM-1974.28.315_1.jpg)
_SAAM-1962.8.42_1.jpg/500px-Wisconsin_Wild_Flowers–Spring_(mural_study,_West_Allis_Post_Office,_Milwaukee,_Wisconsin)_SAAM-1962.8.42_1.jpg)
_-_Google_Art_Project.jpg/500px-Frank_Blackwell_Mayer_-_Independence_(Squire_Jack_Porter)_-_Google_Art_Project.jpg)
_-_1980.126.3_-_Smithsonian_American_Art_Museum.jpg/500px-Francis_Rabineau_-_Marguerite_Repiton_(Mrs._Joseph)_-_1980.126.3_-_Smithsonian_American_Art_Museum.jpg)
_.jpg/500px-Mail_Carriers_of_Today_(mural_study,_Stockton,_California_Post_Office)_.jpg)
.jpg/500px-Frederic_Edwin_Church_-_Cotopaxi_-_Google_Art_Project_(549119).jpg)
_2014.51.1_1a.jpg/500px-Portrait_of_a_Woman_(with_Cactus)_2014.51.1_1a.jpg)
.jpg/500px-Frederick_Stuart_Church_-_Girl_with_Rabbits_(Smithsonian_American_Art_).jpg)
.jpg/500px-Gari_Melchers_-_The_Sermon_(1886).jpg)
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.jpg/500px-Bright_Light_at_Russell's_Corners_by_George_Ault_(1946).jpg)
_SAAM-1974.28.372_1.jpg/500px-Sweatshop_(mural_study,_Department_of_Justice_Building,_Washington,_DC)_SAAM-1974.28.372_1.jpg)
_SAAM-1974.28.302_1.jpg/500px-Tenement_(mural_study,_Department_of_Justice_Building,_Washington,_D._C.)_SAAM-1974.28.302_1.jpg)
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![Mrs. Putnam Catlin (Mary "Polly" Sutton)](https://upload.wikimedia.org/wikipedia/commons/thumb/0/04/George_Catlin_-_Mrs._Putnam_Catlin_(Mary_"Polly"_Sutton)_-_1939.2.1_-_Smithsonian_American_Art_Museum.jpg/500px-George_Catlin_-_Mrs._Putnam_Catlin_(Mary_"Polly"_Sutton)_-_1939.2.1_-_Smithsonian_American_Art_Museum.jpg)
_-_1948.4.1_-_Smithsonian_American_Art_Museum.jpg/500px-George_Catlin_-_Mrs._George_Catlin_(Clara_Bartlett_Gregory)_-_1948.4.1_-_Smithsonian_American_Art_Museum.jpg)
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,_Near_the_Coteau_des_Prairies_-_1985.66.348_-_Smithsonian_American_Art_Museum.jpg/500px-George_Catlin_-_Lac_du_Cygne_(Swan_Lake),_Near_the_Coteau_des_Prairies_-_1985.66.348_-_Smithsonian_American_Art_Museum.jpg)
_Going_To_and_Returning_From_Washington_-_Google_Art_Project.jpg/500px-George_Catlin_-_Wi-jún-jon,_Pigeon's_Egg_Head_(The_Light)_Going_To_and_Returning_From_Washington_-_Google_Art_Project.jpg)
,_a_Distinguished_Young_Warrior_-_Google_Art_Project.jpg/500px-George_Catlin_-_Wi-jún-jon,_Pigeon's_Egg_Head_(The_Light),_a_Distinguished_Young_Warrior_-_Google_Art_Project.jpg)
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_Pawnee_-_1985.66.111_-_Smithsonian_American_Art_Museum.jpg/500px-George_Catlin_-_L'har-e-tar-rúshe,_Ill-natured_Man,_a_Skidi_(Wolf)_Pawnee_-_1985.66.111_-_Smithsonian_American_Art_Museum.jpg)
_Pawnee_-_1985.66.110_-_Smithsonian_American_Art_Museum.jpg/500px-George_Catlin_-_La-wáh-he-coots-la-sháw-no,_Brave_Chief,_a_Skidi_(Wolf)_Pawnee_-_1985.66.110_-_Smithsonian_American_Art_Museum.jpg)
_Pawnee_-_1985.66.108_-_Smithsonian_American_Art_Museum.jpg/500px-George_Catlin_-_Le-sháw-loo-láh-le-hoo,_Big_Elk,_Chief_of_the_Skidi_(Wolf)_Pawnee_-_1985.66.108_-_Smithsonian_American_Art_Museum.jpg)
,_Chief_of_the_Tribe_-_1985.66.256_-_Smithsonian_American_Art_Museum.jpg/500px-George_Catlin_-_Notch-ee-níng-a,_No_Heart,_(called_White_Cloud),_Chief_of_the_Tribe_-_1985.66.256_-_Smithsonian_American_Art_Museum.jpg)
,_Adviser_to_Black_Hawk_-_1985.66.7_-_Smithsonian_American_Art_Museum.jpg/500px-George_Catlin_-_Wah-pe-kée-suck,_White_Cloud_(called_the_Prophet),_Adviser_to_Black_Hawk_-_1985.66.7_-_Smithsonian_American_Art_Museum.jpg)
_Smithsonian.jpg/500px-Cól-lee,_a_Band_Chief_Cherokee_by_George_Catlin_(1985.66.285)_Smithsonian.jpg)
,_a_Chief_-_1985.66.288_-_Smithsonian_American_Art_Museum.jpg/500px-George_Catlin_-_Steeh-tcha-kó-me-co,_Great_King_(called_Ben_Perryman),_a_Chief_-_1985.66.288_-_Smithsonian_American_Art_Museum.jpg)
,_First_Chief_-_1985.66.62_-_Smithsonian_American_Art_Museum.jpg/500px-George_Catlin_-_Téh-tóot-sah_(better_known_as_Tohausen,_Little_Bluff),_First_Chief_-_1985.66.62_-_Smithsonian_American_Art_Museum.jpg)
,_Chief_of_the_O-hah-kas-ka-toh-y-an-te_Band_-_1985.66.70_-_Smithsonian_American_Art_Museum.jpg/500px-George_Catlin_-_Wá-nah-de-túnk-ah,_Big_Eagle_(or_Black_Dog),_Chief_of_the_O-hah-kas-ka-toh-y-an-te_Band_-_1985.66.70_-_Smithsonian_American_Art_Museum.jpg)
,_a_Missionary_Preacher_-_1985.66.273_-_Smithsonian_American_Art_Museum.jpg/500px-George_Catlin_-_Waun-naw-con,_The_Dish_(John_W._Quinney),_a_Missionary_Preacher_-_1985.66.273_-_Smithsonian_American_Art_Museum.jpg)
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_Dressing_Skins,_Red_River_-_1985.66.597_-_Smithsonian_American_Art_Museum.jpg/500px-George_Catlin_-_Indian_Encampment,_Comanche_(or_Kiowa)_Dressing_Skins,_Red_River_-_1985.66.597_-_Smithsonian_American_Art_Museum.jpg)
-1983.83.190_1.jpg/500px-The_Rhone_from_the_Path_to_Salvari_(Switzerland)-1983.83.190_1.jpg)
_SAAM-1962.8.49_1.jpg/500px-Way_of_Life_(study_for_Chelsea,_MI_Post_Office_mural)_SAAM-1962.8.49_1.jpg)
![Miranda (from "The Tempest")](https://upload.wikimedia.org/wikipedia/commons/thumb/e/ee/George_Henry_Hall_-_Miranda_(from_"The_Tempest")_-_1982.117_-_Smithsonian_American_Art_Museum.jpg/500px-George_Henry_Hall_-_Miranda_(from_"The_Tempest")_-_1982.117_-_Smithsonian_American_Art_Museum.jpg)
_-_1934.6.2_-_Smithsonian_American_Art_Museum.jpg/500px-George_Peter_Alexander_Healy_-_Mrs._Albert_J._Myer_(Catherine_Walden)_-_1934.6.2_-_Smithsonian_American_Art_Museum.jpg)
_SAAM-1962.8.65_1.jpg/500px-Cypress_Logging_(mural_study,_Perry,_Florida_Post_Office)_SAAM-1962.8.65_1.jpg)
_SAAM-1965.18.55_1.jpg/500px-View_of_Poughkeepsie_in_1840_(mural_study,_Poughkeepsie,_New_York_Post_Office)_SAAM-1965.18.55_1.jpg)
_SAAM-1965.18.1_1.jpg/500px-Scene_in_Poughkeepsie,_1850_(mural_study,_Poughkeepsie,_New_York_Post_Office)_SAAM-1965.18.1_1.jpg)
_1965.18.70_1a.jpg/500px-Scene_near_Poughkeepsie,_1690_(mural_study,_Poughkeepsie,_New_York_Post_Office)_1965.18.70_1a.jpg)
_-_Smithsonian_American_Art_Museum.jpg/500px-Gertrude_Goodrich_-_Scenes_of_American_Life_(Beach)_-_Smithsonian_American_Art_Museum.jpg)
_SAAM-1974.28.3_1.jpg/500px-Departure_of_the_Jordan_Rifles_(mural_study,_Allentown,_Pennsylvania_Post_Office)_SAAM-1974.28.3_1.jpg)
_SAAM-1974.28.2_1.jpg/500px-Liberty_Bell_Brought_to_Allentown_(mural_study,_Allentown,_Pennsylvania_Post_Office)_SAAM-1974.28.2_1.jpg)
_SAAM-1974.28.327_1.jpg/500px-Ore_Handling_Machinery_(mural_study,_Canton,_Ohio_Post_Office)_SAAM-1974.28.327_1.jpg)
_.jpg/500px-The_Building_of_Fort_Meigs,_1813_(Mural_Study,_Perrysburg,_Ohio_Post_Office)_.jpg)
_.jpg/500px-Caleb_Heathcote_Buys_the_Richbell_Farm_(mural_study,_Scarsdale,_New_York_Post_Office)_.jpg)
_SAAM-1974.28.71_1.jpg/500px-Law_and_Order_in_Old_Scarsdale_Manor_(mural_study,_Scarsdale,_New_York_Post_Office)_SAAM-1974.28.71_1.jpg)
_SAAM-1974.28.11_1.jpg/500px-The_Blacksmith_(mural_study,_Indianapolis,_Indiana_Post_Office)_SAAM-1974.28.11_1.jpg)
_SAAM-1974.28.328_1.jpg/500px-Untitled_(mural_study--detail_of_mock_up_framed_with_columns)_SAAM-1974.28.328_1.jpg)
_SAAM-1974.28.298_1.jpg/500px-Waiting_for_the_Mail_(mural_study,_Nappanee,_Indiana_Post_Office)_SAAM-1974.28.298_1.jpg)
_SAAM-1985.8.3_1.jpg/500px-First_Landing_at_Weymouth_(Study_for_Post_Office_Mural,_Weymouth_Branch,_Boston,_MA)_SAAM-1985.8.3_1.jpg)
_(Settlers)_SAAM-1974.28.67_1.jpg/500px-(Untitled)_(Settlers)_SAAM-1974.28.67_1.jpg)
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_SAAM-1962.8.46_2.jpg/500px-Cowboy_Dance_(mural_study,_Anson,_Texas_Post_Office)_SAAM-1962.8.46_2.jpg)
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_SAAM-1962.8.29_1.jpg/500px-Lumber_Manufacturing_(mural_study,_Trinity,_Texas_Post_Office)_SAAM-1962.8.29_1.jpg)
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_SAAM-1985.8.25_1.jpg/500px-Freeland_(Study_for_Freeland,_Pennsylvania_Post_Office_Mural)_SAAM-1985.8.25_1.jpg)
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_-_1929.6.79B_-_Smithsonian_American_Art_Museum.jpg/500px-John_Noble_-_Beach_Scene_(verso_of_1929.6.79A)_-_1929.6.79B_-_Smithsonian_American_Art_Museum.jpg)
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![Sketches for the Decoration of a Private Library "A"](https://upload.wikimedia.org/wikipedia/commons/thumb/c/c6/Kenyon_Cox_-_Sketches_for_the_Decoration_of_a_Private_Library_"A"_-_1983.114.13_-_Smithsonian_American_Art_Museum.jpg/500px-Kenyon_Cox_-_Sketches_for_the_Decoration_of_a_Private_Library_"A"_-_1983.114.13_-_Smithsonian_American_Art_Museum.jpg)
![Study for "Science Instructing Industry"](https://upload.wikimedia.org/wikipedia/commons/thumb/8/86/Kenyon_Cox_-_Study_for_"Science_Instructing_Industry"_-_1983.114.17_-_Smithsonian_American_Art_Museum.jpg/500px-Kenyon_Cox_-_Study_for_"Science_Instructing_Industry"_-_1983.114.17_-_Smithsonian_American_Art_Museum.jpg)
![Study for Mural for Appellate Court Building, New York; "Statute Law", Helmet for Figure of "Force"](https://upload.wikimedia.org/wikipedia/commons/thumb/c/ca/Kenyon_Cox_-_Study_for_Mural_for_Appellate_Court_Building,_New_York,_"Statute_Law",_Helmet_for_Figure_of_"Force"_-_1983.114.4_-_Smithsonian_American_Art_Museum.jpg/500px-Kenyon_Cox_-_Study_for_Mural_for_Appellate_Court_Building,_New_York,_"Statute_Law",_Helmet_for_Figure_of_"Force"_-_1983.114.4_-_Smithsonian_American_Art_Museum.jpg)
_-_1959.10.3_-_Smithsonian_American_Art_Museum.jpg/500px-Kenyon_Cox_-_The_Progress_of_Civilization,_Hunting,_Herding,_Agriculture_(mural_study,_State_Capitol,_Des_Moines,_Iowa)_-_1959.10.3_-_Smithsonian_American_Art_Museum.jpg)
_-_1959.10.5_-_Smithsonian_American_Art_Museum.jpg/500px-Kenyon_Cox_-_The_Progress_of_Civilization,_Science_and_Art_(mural_study,_State_Capitol,_Des_Moines,_Iowa)_-_1959.10.5_-_Smithsonian_American_Art_Museum.jpg)
_-_1959.10.4_-_Smithsonian_American_Art_Museum.jpg/500px-Kenyon_Cox_-_The_Progress_of_Civilization,_The_Forge,_Commerce,_and_Education_(mural_study,_State_Capitol,_Des_Moines,_Iowa)_-_1959.10.4_-_Smithsonian_American_Art_Museum.jpg)
![Study for Mural at Hotel Manhattan, "Peace and Plenty"](https://upload.wikimedia.org/wikipedia/commons/thumb/6/66/Kenyon_Cox_-_Study_for_Mural_at_Hotel_Manhattan,_"Peace_and_Plenty"_-_1983.114.22_-_Smithsonian_American_Art_Museum.jpg/500px-Kenyon_Cox_-_Study_for_Mural_at_Hotel_Manhattan,_"Peace_and_Plenty"_-_1983.114.22_-_Smithsonian_American_Art_Museum.jpg)
![Study for mural, Union Trust Company Building, "The Sources of Wealth"](https://upload.wikimedia.org/wikipedia/commons/thumb/7/7c/Kenyon_Cox_-_Study_for_mural,_Union_Trust_Company_Building,_"The_Sources_of_Wealth"_-_1983.114.3_-_Smithsonian_American_Art_Museum.jpg/500px-Kenyon_Cox_-_Study_for_mural,_Union_Trust_Company_Building,_"The_Sources_of_Wealth"_-_1983.114.3_-_Smithsonian_American_Art_Museum.jpg)
![Study for "Christ"](https://upload.wikimedia.org/wikipedia/commons/thumb/a/a5/Kenyon_Cox_-_Study_for_"Christ"_-_1983.114.18_-_Smithsonian_American_Art_Museum.jpg/500px-Kenyon_Cox_-_Study_for_"Christ"_-_1983.114.18_-_Smithsonian_American_Art_Museum.jpg)
![Study for Mural at U.S. Custom House, Cleveland, OH, "Passing Commerce Pays Tribute to the Port of Cleveland"](https://upload.wikimedia.org/wikipedia/commons/thumb/b/b7/Kenyon_Cox_-_Study_for_Mural_at_U.S._Custom_House,_Cleveland,_OH,_"Passing_Commerce_Pays_Tribute_to_the_Port_of_Cleveland"_-_1983.114.5_-_Smithsonian_American_Art_Museum.jpg/500px-Kenyon_Cox_-_Study_for_Mural_at_U.S._Custom_House,_Cleveland,_OH,_"Passing_Commerce_Pays_Tribute_to_the_Port_of_Cleveland"_-_1983.114.5_-_Smithsonian_American_Art_Museum.jpg)
![Sketch for Mosaic, Wisconsin State Capital, "Justice"](https://upload.wikimedia.org/wikipedia/commons/thumb/7/7e/Kenyon_Cox_-_Sketch_for_Mosaic,_Wisconsin_State_Capital,_"Justice"_-_1983.114.2_-_Smithsonian_American_Art_Museum.jpg/500px-Kenyon_Cox_-_Sketch_for_Mosaic,_Wisconsin_State_Capital,_"Justice"_-_1983.114.2_-_Smithsonian_American_Art_Museum.jpg)
![Study for mosaic in the Wisconsin State Capital "Government and Liberty"](https://upload.wikimedia.org/wikipedia/commons/thumb/2/28/Kenyon_Cox_-_Study_for_mosaic_in_the_Wisconsin_State_Capital_"Government_and_Liberty"_-_1983.114.11_-_Smithsonian_American_Art_Museum.jpg/500px-Kenyon_Cox_-_Study_for_mosaic_in_the_Wisconsin_State_Capital_"Government_and_Liberty"_-_1983.114.11_-_Smithsonian_American_Art_Museum.jpg)
![Study for Mosaic, Wisconsin State Capital, "Justice"](https://upload.wikimedia.org/wikipedia/commons/thumb/4/49/Kenyon_Cox_-_Study_for_Mosaic,_Wisconsin_State_Capital,_"Justice"_-_1983.114.12_-_Smithsonian_American_Art_Museum.jpg/500px-Kenyon_Cox_-_Study_for_Mosaic,_Wisconsin_State_Capital,_"Justice"_-_1983.114.12_-_Smithsonian_American_Art_Museum.jpg)
![Study for Mosaic, Wisconsin State Capital, "Legislation"](https://upload.wikimedia.org/wikipedia/commons/thumb/d/df/Kenyon_Cox_-_Study_for_Mosaic,_Wisconsin_State_Capital,_"Legislation"_-_1983.114.10_-_Smithsonian_American_Art_Museum.jpg/500px-Kenyon_Cox_-_Study_for_Mosaic,_Wisconsin_State_Capital,_"Legislation"_-_1983.114.10_-_Smithsonian_American_Art_Museum.jpg)
![Sketch for the Mural at Oberlin College, "The Spirit of Self-Sacrificing Love"](https://upload.wikimedia.org/wikipedia/commons/thumb/4/41/Kenyon_Cox_-_Sketch_for_the_Mural_at_Oberlin_College,_"The_Spirit_of_Self-Sacrificing_Love"_-_1983.114.15_-_Smithsonian_American_Art_Museum.jpg/500px-Kenyon_Cox_-_Sketch_for_the_Mural_at_Oberlin_College,_"The_Spirit_of_Self-Sacrificing_Love"_-_1983.114.15_-_Smithsonian_American_Art_Museum.jpg)
_SAAM-1974.28.56_1.jpg/500px-Scenes_of_New_York–Central_Park_(mural_study,_Madison_Square_Postal_Station,_New_York_City)_SAAM-1974.28.56_1.jpg)
_SAAM-1974.28.28_1.jpg/500px-Scenes_of_New_York--Greenwich_Village_(mural_study,_Madison_Square_Postal_Station,_New_York_City)_SAAM-1974.28.28_1.jpg)
_SAAM-1974.28.349_1.jpg/500px-War_(mural_study,_War_Department_building,_Washington,_D.C.)_SAAM-1974.28.349_1.jpg)
_SAAM-1974.28.350_1.jpg/500px-War_(mural_study,_War_Department_building,_Washington,_D.C.)_SAAM-1974.28.350_1.jpg)
-saam_1976.153.6A.jpg/500px-(Bust_Portrait_of_a_Woman)-saam_1976.153.6A.jpg)
-saam_1976.153.6B.jpg/500px-(Bust_Portrait_of_a_Woman)-saam_1976.153.6B.jpg)
.jpg/500px-Portrait_of_a_Lady_(Alma_Thomas).jpg)
_SAAM-1974.28.373_1.jpg/500px-Saturday_Afternoon_(mural_study,_Sullivan,_Missouri_Post_Office)_SAAM-1974.28.373_1.jpg)
.jpg/500px-Christ_and_the_Pharisees_(Lawrence_W._Ladd).jpg)
.jpg/500px-Parable_of_the_King_and_His_Servants_(Lawrence_W._Ladd).jpg)
.jpg/500px-Parable_of_the_Laborers_in_the_Vineyard_(Lawrence_W._Ladd).jpg)
.jpg/500px-Parable_of_the_Marriage_of_the_King's_Son_(Lawrence_W._Ladd).jpg)
.jpg/500px-Parable_of_the_Rich_Man_and_Lazarus_(Lawrence_W._Ladd).jpg)
.jpg/500px-The_Creation_(Lawrence_W._Ladd).jpg)
.jpg/500px-The_Good_Samaritan_(Lawrence_W._Ladd).jpg)
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_SAAM-1962.8.70_1.jpg/500px-Squaws_Rest_(mural_study,_Elizabethtown,_Pennsylvania_Post_Office)_SAAM-1962.8.70_1.jpg)
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_-_Google_Art_Project.jpg/500px-Lilly_Martin_Spencer_-_We_Both_Must_Fade_(Mrs._Fithian)_-_Google_Art_Project.jpg)
_-_1915.11.18_-_Smithsonian_American_Art_Museum.jpg/500px-Louis_Charlot_-_Le_Creusot,_Usines_Schnider_(Partie_Nord)_-_1915.11.18_-_Smithsonian_American_Art_Museum.jpg)
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_SAAM-1985.8.20_1.jpg/500px-Indian_Hunters_and_Rice_Gatherers_(Study_for_St._James,_Minnesota_Post_Office_Mural)_SAAM-1985.8.20_1.jpg)
.jpg/500px-Band_Concert_(mural_study,_Corning,_Iowa_Post_Office).jpg)
_SAAM-1968.141_1.jpg/500px-Automotive_Industry_(mural,_Detroit_Public_Library)_SAAM-1968.141_1.jpg)
_SAAM-1962.8.48_1.jpg/500px-Pioneer_Group_at_the_Red_Rock_Line--1845_(mural_study,_Knoxville,_Iowa_Post_Office)_SAAM-1962.8.48_1.jpg)
.jpg/500px-Down_Rent_War,_Around_1845_(mural_study,_Delhi,_NY_post_office).jpg)
_(Plant_Study)-1970.355.78_1.jpg/500px-(Untitled)_(Plant_Study)-1970.355.78_1.jpg)
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_by_Mary_Vaux_Walcott-saam1970.355.118.jpg/500px-Bristle-Cone_Pine_(Pinus_aristata)_by_Mary_Vaux_Walcott-saam1970.355.118.jpg)
_-1970.355.129_1.jpg/500px-Currant_(unfinished)_-1970.355.129_1.jpg)
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_by_Mary_Vaux_Walcott-saam1970.355.469.jpg/500px-Grass-pink_Orchid_(Limodorum_tuberosum)_by_Mary_Vaux_Walcott-saam1970.355.469.jpg)
_by_Mary_Vaux_Walcott.jpg/500px-Hairy_Phlox_(Phlox_amoena)_by_Mary_Vaux_Walcott.jpg)
_by_Mary_Vaux_Walcott-saam1970.355.110.jpg/500px-Leather_Flower_(Clematis_hirsutissima)_by_Mary_Vaux_Walcott-saam1970.355.110.jpg)
-saam_1970.355.621.jpg/500px-Rocky_Mountain_Kalmia_(Kalmia_microphylla)-saam_1970.355.621.jpg)
_by_Mary_Vaux_Walcott-saam1970.355.126.jpg/500px-Spicebush_(Calycanthus_occidentalis)_by_Mary_Vaux_Walcott-saam1970.355.126.jpg)
-1970.355.808_1.jpg/500px-Untitled_(Unfinished_Sketch)-1970.355.808_1.jpg)
_by_Mary_Vaux_Walcott-saam1970.355.83.jpg/500px-Western_Azalea_(Rhododendron_occidentale)_by_Mary_Vaux_Walcott-saam1970.355.83.jpg)
_by_Mary_Vaux_Walcott-saam1970.355.724.jpg/500px-White_Dawnrose_(Pachyloplus_marginatus)_by_Mary_Vaux_Walcott-saam1970.355.724.jpg)
_by_Mary_Vaux_Walcott-saam1970.355.441.jpg/500px-White_Thistle_(Cirsium_hookeranum)_by_Mary_Vaux_Walcott-saam1970.355.441.jpg)
_by_Mary_Vaux_Walcott-saam1970.355.66.jpg/500px-Wild_Rose_and_Blue-eyed_Grass_(Rosa_species_and_Sisyrinchium_species)_by_Mary_Vaux_Walcott-saam1970.355.66.jpg)
_by_Mary_Vaux_Walcott-saam1970.355.482.jpg/500px-Wood_Merrybells_(Uvularia_perfoliata)_by_Mary_Vaux_Walcott-saam1970.355.482.jpg)
![My First Painting](https://upload.wikimedia.org/wikipedia/commons/thumb/6/6b/Mary_Vaux_Walcott_-_"My_First_Painting"_-_1970.355.766_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_"My_First_Painting"_-_1970.355.766_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.749_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_(Untitled-Flower_Study)_-_1970.355.749_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.756_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_(Untitled-Flower_Study)_-_1970.355.756_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.765_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_(Untitled-Flower_Study)_-_1970.355.765_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.763_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Untitled_(Cup)_-_1970.355.763_-_Smithsonian_American_Art_Museum.jpg)
-1970.355.764_1.jpg/500px-Untitled_(Hourglass)-1970.355.764_1.jpg)
_-_1970.355.761_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Untitled_(Autumn_Leaf)_-_1970.355.761_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.770_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Untitled_(Curled_Autumn_Leaves)_-_1970.355.770_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.767_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Untitled_(Pansy)_-_1970.355.767_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.768_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Untitled_(Rose)_-_1970.355.768_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.774_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_(Untitled-Flower_Study)_-_1970.355.774_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.762_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Untitled_(Mooring_and_Anchor)_-_1970.355.762_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.771_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Untitled_(Pansy)_-_1970.355.771_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.775_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Untitled_(Stile)_-_1970.355.775_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.783_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_(Untitled)_-_1970.355.783_-_Smithsonian_American_Art_Museum.jpg)
_-1970.355.782_1.jpg/500px-(Untitled)_-1970.355.782_1.jpg)
_-_1970.355.780_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Untitled_(Autumn_Leaves)_-_1970.355.780_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.779_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Untitled_(Autumn_Leaves)_-_1970.355.779_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.781_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Untitled_(Crocuses)_-_1970.355.781_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.776_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Untitled_(Ivy)_-_1970.355.776_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.777_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Untitled_(Rosebuds)_-_1970.355.777_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.787_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_(Untitled)_-_1970.355.787_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.789_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_(Untitled)_-_1970.355.789_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.785_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_(Untitled)_-_1970.355.785_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.790_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Untitled_(Lily)_-_1970.355.790_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.786_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Untitled_(Pansies)_-_1970.355.786_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.788_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Untitled_(Pansies)_-_1970.355.788_-_Smithsonian_American_Art_Museum.jpg)
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_-_1970.355.748_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_(Untitled-Flower_Study)_-_1970.355.748_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.795_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_(Untitled-Flower_Study)_-_1970.355.795_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.796_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_(Untitled-Flower_Study)_-_1970.355.796_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.800_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_(Untitled-Flower_Study)_-_1970.355.800_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.801_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_(Untitled-Flower_Study)_-_1970.355.801_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.802_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_(Untitled-Flower_Study)_-_1970.355.802_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.798_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_(Untitled-Mixed_Flowers)_-_1970.355.798_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.791_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Untitled_(Head_of_a_Child)_-_1970.355.791_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.754_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Untitled_(Jack_in_the_Pulpit)_-_1970.355.754_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.792_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Untitled_(Landscape)_-_1970.355.792_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.793_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Untitled_(Landscape)_-_1970.355.793_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.794_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Untitled_(Pansies_and_Ivy)_-_1970.355.794_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.778_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Untitled_(Pansies)_-_1970.355.778_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.797_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Untitled_(Pansy)_-_1970.355.797_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.753_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Cannas_and_Cypress_Vine_(Canna_species_and_Ipomoea_quamoclit)_-_1970.355.753_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.211_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Dutchman's_Breeches_(Bikukulla_cucullaria)_-_1970.355.211_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.751_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Untitled_(Autumn_Leaves)_-_1970.355.751_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.752_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Untitled_(Calla_Lily)_-_1970.355.752_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.750_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_(Untitled-Flower_Study)_-_1970.355.750_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.747_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_(Untitled-Rose)_-_1970.355.747_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.336_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Rose_Mallow_(Hibiscus_moscheutos)_-_1970.355.336_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.759_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Untitled_(Head_of_a_Child_Looking_Down)_-_1970.355.759_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.758_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Untitled_(Head_of_a_Child_with_Hat)_-_1970.355.758_-_Smithsonian_American_Art_Museum.jpg)
_-_1970.355.757_-_Smithsonian_American_Art_Museum.jpg/500px-Mary_Vaux_Walcott_-_Untitled_(Head_of_a_Child)_-_1970.355.757_-_Smithsonian_American_Art_Museum.jpg)
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-saam_1970.355.171.jpg/500px-Thistle_(Cirsium_arizonica)-saam_1970.355.171.jpg)
_by_Mary_Vaux_Walcott-saam1970.355.168.jpg/500px-Vervain_(Verbena_wrightii)_by_Mary_Vaux_Walcott-saam1970.355.168.jpg)
_by_Mary_Vaux_Walcott-saam1970.355.120.jpg/500px-Wild_Pea_(Lathyrus_decaphyllus)_by_Mary_Vaux_Walcott-saam1970.355.120.jpg)
_by_Mary_Vaux_Walcott-saam1970.355.174.jpg/500px-Iris_(Iris_species)_by_Mary_Vaux_Walcott-saam1970.355.174.jpg)
_by_Mary_Vaux_Walcott-saam1970.355.167.jpg/500px-Wake-Robin_(Trillium_simile)_by_Mary_Vaux_Walcott-saam1970.355.167.jpg)
_SAAM-1964.1.182_1.jpg/500px-Untitled_(Farm_Scene)_SAAM-1964.1.182_1.jpg)
.jpg/500px-Max_Bohm_-_The_happy_Mother_(1913).jpg)
.jpg/500px-Max_Bohm_-_An_incident_on_the_English_Channel_(1919).jpg)
.jpg/500px-Max_Bohm_-_Springtime_in_France_(1922-23).jpg)
_SAAM-1962.8.11_1.jpg/500px-Mining_(mural_study,_Mount_Hope,_West_Virginia_Post_Office)_SAAM-1962.8.11_1.jpg)
_-_1991.56.56_-_Smithsonian_American_Art_Museum.jpg/500px-Miner_Kilbourne_Kellogg_-_Greek_Girl_(Pilgrim)_-_1991.56.56_-_Smithsonian_American_Art_Museum.jpg)
_-_1992.66.4_-_Smithsonian_American_Art_Museum.jpg/500px-Miner_Kilbourne_Kellogg_-_Ruins_of_Asrum_Asia_Minor,_Explored_with_Layard_(Sir_Henry_Layard)_-_1992.66.4_-_Smithsonian_American_Art_Museum.jpg)
_SAAM-1974.28.316_1.jpg/500px-White_Fawn_(mural_study_for_Forest_Park,_Illinois_Post_Office)_SAAM-1974.28.316_1.jpg)
_SAAM-1971.447.81_1.jpg/500px-Yards_Portrait_(Back_o’_the_Yards_-6)_SAAM-1971.447.81_1.jpg)
_saam_1929.12.7.jpg/500px-Mrs._Nicholas_Longworth_(Alice_Lee_Roosevelt)_saam_1929.12.7.jpg)
_-_SAAM_1965.15.2.jpg/500px-Smithsonian_-_SAAM_-_Mrs._Nicholas_Longworth_(Alice_Lee_Roosevelt)_-_SAAM_1965.15.2.jpg)
_SAAM-1962.8.54_1.jpg/500px-Local_Industries_(mural_study,_Springdale,_Arkansas_Post_Office)_SAAM-1962.8.54_1.jpg)
_SAAM-1974.28.26_1.jpg/500px-Early_Texans_(mural_study,_Conroe,_Texas_Post_Office)_SAAM-1974.28.26_1.jpg)
_SAAM-1965.18.88_1.webp/500px-Apple_Pickers_(mural_study)_SAAM-1965.18.88_1.webp)
_SAAM-1969.68_1.jpg/500px-Western_Pennsylvania_(mural,_Aliquippa,_Pennsylvania_Post_Office)_SAAM-1969.68_1.jpg)
_SAAM-1974.28.53_1.jpg/500px-Shipping_and_Construction_(mural_study,_Huntington_Park,_California_Post_Office)_SAAM-1974.28.53_1.jpg)
_SAAM-1974.88.39_1.jpg/500px-Nanny_Moale_Smith_Wood_(Mrs._Charles_Erskine_Scott_Wood)_SAAM-1974.88.39_1.jpg)
_SAAM-1974.88.14_1.jpg/500px-Doc_(Dr._Duane)_SAAM-1974.88.14_1.jpg)
_SAAM-1974.88.3_1.jpg/500px-Mrs._Charles_Fayette_Olney_(Louise_Brown)_SAAM-1974.88.3_1.jpg)
_SAAM-1974.88.35_1.jpg/500px-Anna_Dwight_Baker_(Mrs._J._Alden_Weir)_SAAM-1974.88.35_1.jpg)
_SAAM-1974.88.5_1.jpg/500px-Portrait_of_a_Man_(possibly_Albert_Pinkham_Ryder)_SAAM-1974.88.5_1.jpg)
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_SAAM-1974.88.12_1.jpg/500px-Margaret_Cottier_(Peggy;_Mrs._Lloyd_Williams)_SAAM-1974.88.12_1.jpg)
_SAAM-1974.88.23_1.jpg/500px-Mrs._Charles_E._Ladd_(Sarah_L._Hall)_SAAM-1974.88.23_1.jpg)
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.jpg/500px-Hester_Marian_Wait_Lay,_Portrait_of_the_Artist's_Wife_(1880).jpg)
.jpg/500px-Oliver_Ingram_Lay_-_Portrait_of_the_Artist's_Son_Charles_Downing_Lay_(ca._1881-1883).jpg)
.jpg/500px-Self-portrait_of_Oliver_Ingraham_Lay_(1882).jpg)
_SAAM-1974.28.57_1.jpg/500px-A_Letter_(mural_study,_Hartwell,_Georgia_Post_Office)_SAAM-1974.28.57_1.jpg)
_SAAM-1977.33_1.jpg/500px-Evening_on_the_Farm_(mural_study,_Forest_City,_Iowa_Post_Office)_SAAM-1977.33_1.jpg)
_(mural_study,_Phoenix,_Arizona_Post_Office)_SAAM-1962.8.43_1.jpg/500px-Communication_during_the_Period_of_Exploration_(panel_number_2)_(mural_study,_Phoenix,_Arizona_Post_Office)_SAAM-1962.8.43_1.jpg)
_SAAM-1962.8.75_1.jpg/500px-San_Rafael_Creek–1851_(mural_study,_San_Rafael,_California_Post_Office)_SAAM-1962.8.75_1.jpg)
_SAAM-1965.18.65_1.jpg/500px-Cowboys_Receiving_the_Mail_(mural_study,_Giddings,_Texas_Post_Office)_SAAM-1965.18.65_1.jpg)
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_SAAM-1974.28.346_1.jpg/500px-Winter_Sports_(mural_study,_Kewaunee,_Wisconsin_Post_Office)_SAAM-1974.28.346_1.jpg)
_SAAM-1974.28.76_1.jpg/500px-(Landscape)_SAAM-1974.28.76_1.jpg)
_SAAM-1974.28.313_1.jpg/500px-Orange_Picking_(mural_study_for_Fullerton,_California_Post_Office)_SAAM-1974.28.313_1.jpg)
_).jpg/500px-Orange_Picking_(mural_study_for_Fullerton,_California_Post_Office)_).jpg)
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-saam_1966.47.10.jpg/500px-Adam_(1)-saam_1966.47.10.jpg)
-saam_1966.47.47.jpg/500px-Europa_and_the_Bull_(2)-saam_1966.47.47.jpg)
-saam_1966.47.9.jpg/500px-Eve_(2)-saam_1966.47.9.jpg)
-saam_1966.47.40.jpg/500px-Europa_and_the_Bull_(1)-saam_1966.47.40.jpg)
-saam_1966.47.92.jpg/500px-Venus_Anadyomene_(2)-saam_1966.47.92.jpg)
-saam_1966.47.22.jpg/500px-Adam_(2)-saam_1966.47.22.jpg)
-saam_1966.47.27.jpg/500px-Dancing_Child_(Charleston_I)-saam_1966.47.27.jpg)
-saam_1966.47.28.jpg/500px-Dancing_Child_(Charleston_II)-saam_1966.47.28.jpg)
-saam_1966.47.29.jpg/500px-Dancing_Child_(Charleston_III)-saam_1966.47.29.jpg)
-saam_1966.47.30.jpg/500px-Dancing_Child_(Charleston_IV)-saam_1966.47.30.jpg)
-saam_1966.47.33.jpg/500px-Standing_Nude_(1)-saam_1966.47.33.jpg)
_saam_1971.458.jpg/500px-(Sleeping_Dog)_saam_1971.458.jpg)
_saam_1958.11.29.jpg/500px-Recumbent_Lion_(facing_left)_saam_1958.11.29.jpg)
_saam_1958.11.8.jpg/500px-Head_of_Marquis_de_Lafayette_(Lafayette_Monument,_Paris,_France)_saam_1958.11.8.jpg)
-saam_2020.20.10.jpg/500px-Washington_at_Valley_Forge_(preliminary_sketch)-saam_2020.20.10.jpg)
.jpg/500px-Early_Mail_Service_and_Construction_of_Railroads_(mural_study,_Commerce,_Georgia_Post_Office).jpg)
_SAAM-1943_3_2_1.jpg/500px-Mrs._Cornelius_Baldwin_(Mary_Briscoe)_SAAM-1943_3_2_1.jpg)
_saam_1974.102.jpg/500px-Julia_Blatchford_Potter_(Mrs._E.T.)_saam_1974.102.jpg)
_-_1933.7.1_-_Smithsonian_American_Art_Museum.jpg/500px-Pierre_Henri_-_Mrs._Alexander_Rose_(Margaret_Smith)_-_1933.7.1_-_Smithsonian_American_Art_Museum.jpg)
_1962.8.12_1a.jpg/500px-Hart_Fellows–Builder_of_Rushville_(mural_study,_Rushville,_Illinois_Post_Office)_1962.8.12_1a.jpg)
_-_1997.79.3_-_Smithsonian_American_Art_Museum.jpg/500px-Ramon_Atiles-Perez_-_Clerigo_desconocido_(Unknown_Cleric)_-_1997.79.3_-_Smithsonian_American_Art_Museum.jpg)
_-_1997.79.4_-_Smithsonian_American_Art_Museum.jpg/500px-Ramon_Atiles-Perez_-_Dama_desconocida_(Unknown_Lady)_-_1997.79.4_-_Smithsonian_American_Art_Museum.jpg)
_-_1976.34.1_-_Smithsonian_American_Art_Museum.jpg/500px-Richard_Morell_Staigg_-_Mrs._Francis_Schroeder_(Caroline_Seaton)_-_1976.34.1_-_Smithsonian_American_Art_Museum.jpg)
_-_1956.11.68_-_Smithsonian_American_Art_Museum.jpg/500px-Richard_Wilson_-_Apollo_and_the_Seasons_(Classical_Landscape)_-_1956.11.68_-_Smithsonian_American_Art_Museum.jpg)
._SAAM-1971.269.35.jpg/500px-Robert_Bruce_McDougall,_Untitled_(Forest_Scene)._SAAM-1971.269.35.jpg)
_SAAM-1962.8.64_1.jpg/500px-Postman_in_Storm_(mural_study,_Independence,_Iowa_Post_Office)_SAAM-1962.8.64_1.jpg)
_-_1972.150_-_Smithsonian_American_Art_Museum.jpg/500px-Robert_Walter_Weir_-_(Moses_Viewing_the_Promised_Land)_-_1972.150_-_Smithsonian_American_Art_Museum.jpg)
_-_Google_Art_Project.jpg/500px-Rockwell_Kent_-_Snow_Fields_(Winter_in_the_Berkshires)_-_Google_Art_Project.jpg)
_SAAM-1982.86.2_1.jpg/500px-Mail_Service_in_the_Tropics_(mural_study,_U.S._Post_Office_Department,_Washington,_D.C.)_SAAM-1982.86.2_1.jpg)
_SAAM-1965.18.64_1.jpg/500px-The_Sleighing_Party_(mural_study,_Alexandria,_Indiana_Post_Office)_SAAM-1965.18.64_1.jpg)
_SAAM-1962.8.57_1.jpg/500px-Van_Ausdals_Trading_Post_(mural_study,_Eaton,_Ohio_Post_Office)_SAAM-1962.8.57_1.jpg)
_SAAM-1980.133.3_1.jpg/500px-A_Skirmish_between_British_and_Colonists_near_Somerville_in_Revolutionary_Times_(mural_study,_Somerville,_Massachusetts_Post_Office)_SAAM-1980.133.3_1.jpg)
_-_Google_Art_Project.jpg/500px-Samuel_F._B._Morse_-_The_Goldfish_Bowl_(Mrs._Richard_Cary_Morse_and_Family)_-_Google_Art_Project.jpg)
_-_1948.3.2_-_Smithsonian_American_Art_Museum.jpg/500px-Sarah_Goodridge_-_Mrs._John_Watson_(Matilda)_-_1948.3.2_-_Smithsonian_American_Art_Museum.jpg)
_-_2015.13_-_Smithsonian_American_Art_Museum.jpg/500px-Sarah_Miriam_Peale_-_Mary_Leypold_Griffith_(1838_-_1841)_-_2015.13_-_Smithsonian_American_Art_Museum.jpg)
_-_1923.8.1_-_Smithsonian_American_Art_Museum.jpg/500px-Sarah_Paxton_Ball_Dodson_-_Une_Martyre_(Saint_Thechla)_-_1923.8.1_-_Smithsonian_American_Art_Museum.jpg)
_SAAM-1974.28.309_1.jpg/500px-Security_of_the_People_(Study_for_mural,_Old_Social_Security_building,_Washington,_D._C.)_SAAM-1974.28.309_1.jpg)
_SAAM-1962.8.37_2.jpg/500px-Past_and_Present_Agriculture_and_Industry_of_Colleton_County_(mural_study,_Walterboro,_South_Carolina_Post_Office)_SAAM-1962.8.37_2.jpg)
_SAAM-1966.103.4_1.jpg/500px-Mural_for_the_Santa_Monica_Library-_Prologue_(mountain_tops)_SAAM-1966.103.4_1.jpg)
_SAAM-1974.28.370_1.jpg/500px-Kiowas_Moving_Camp_(mural_study,_Anadarko,_Oklahoma_federal_building)_SAAM-1974.28.370_1.jpg)
_SAAM-1974.28.308_1.jpg/500px-Mining_Village_(Study_for_mural,_Huntington,_West_Virginia_forestry_service_building)_SAAM-1974.28.308_1.jpg)
_SAAM-1982.20.1_2.jpg/500px-Panel_2,_Legend_of_James_Edward_Hamilton--Barefoot_Mailman_(mural_study,_West_Palm_Beach,_Florida_Post_Office)_SAAM-1982.20.1_2.jpg)
_SAAM-1982.20.2_2.jpg/500px-Panel_5,_Legend_of_James_Edward_Hamilton–Barefoot_Mailman_(mural_study,_West_Palm_Beach,_Florida_Post_Office)_SAAM-1982.20.2_2.jpg)
.jpg/500px-Panel_6,_Legend_of_James_Edward_Hamilton–Barefoot_Mailman_(mural_study,_West_Palm_Beach,_Florida_Post_Office).jpg)
_.jpg/500px-Iroquois_(study_for_mural,_Honeoye_Falls,_New_York_Post_Office)_.jpg)
_SAAM-1995.27_1.jpg/500px-Impression_of_the_New_York_World’s_Fair_(mural_study,_Communications_Building,_World’s_Fair,_Flushing,_New_York)_SAAM-1995.27_1.jpg)
_saam_1968.155.141.jpg/500px-Baby's_Left_Hand_(unfinished)_saam_1968.155.141.jpg)
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_SAAM-1962.8.38_1.jpg/500px-Early_Clockmaking_(mural_study,_Thomaston,_Connecticut_Post_Office)_SAAM-1962.8.38_1.jpg)
_SAAM-1974.28.42_1.jpg/500px-Contemporary_Justice_and_the_Child_(Mural_Study,_Department_of_Justice,_Washington,_D.C.)_SAAM-1974.28.42_1.jpg)
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_-_1976.36_-_Smithsonian_American_Art_Museum.jpg/500px-Thomas_Buchanan_Read_-_(Interior_Scene_with_Sultan_and_Concubine)_-_1976.36_-_Smithsonian_American_Art_Museum.jpg)
_SAAM-1929.6.29_1.jpg/500px-Lady_in_White_(No._1)_SAAM-1929.6.29_1.jpg)
_SAAM-1962.8.79_1.jpg/500px-Apple_Pickers_(mural_study,_Clyde,_New_York_Post_Office)_SAAM-1962.8.79_1.jpg)
_-_1961.11.12_-_Smithsonian_American_Art_Museum.jpg/500px-Thomas_Eakins_-_Mother_(Annie_Williams_Gandy)_-_1961.11.12_-_Smithsonian_American_Art_Museum.jpg)
_-_1968.59.1_-_Smithsonian_American_Art_Museum.jpg/500px-Thomas_Hicks_-_(Small_Landscape)_-_1968.59.1_-_Smithsonian_American_Art_Museum.jpg)
.jpg/500px-Thomas_P._Anshutz_-_A_Flowered_Gown_(1906).jpg)
_SAAM-1974.28.22_1.jpg/500px-Cattle_Round-Up_(mural_study,_Eureka,_Kansas_Post_Office)_SAAM-1974.28.22_1.jpg)
_SAAM-1974.28.118_1.jpg/500px-(Mural_study_for_north_wall,_Los_Angeles,_California_Immigration_and_Naturalization_Station)_SAAM-1974.28.118_1.jpg)
_SAAM-1974.28.119_1.jpg/500px-(Mural_study_for_south_wall,_Los_Angeles,_California_Immigration_and_Naturalization_Station)_SAAM-1974.28.119_1.jpg)
-saam_1979.43.jpg/500px-Portrait_of_Mrs._William_Eaton_Brock_(Dorothy_Paris)-saam_1979.43.jpg)
_SAAM-1971.283_1.jpg/500px-Untitled_(Interior_View)_SAAM-1971.283_1.jpg)
_-_1999.27.43_-_Smithsonian_American_Art_Museum_(cropped).jpg/500px-Walter_Robertson_-_Mrs._Philip_John_Schuyler_(Catherine_van_Rensselaer)_-_1999.27.43_-_Smithsonian_American_Art_Museum_(cropped).jpg)
.jpg/500px-Walter_Ufer_-_Callers_(c._1926).jpg)
.jpg/500px-Walter_Ufer_-_After_Them_(1928).jpg)
_SAAM-1974.28.25_1.jpg/500px-Harvest_of_the_Rio_Grande_Valley_(mural_study,_Edinburgh,_Texas_Post_Office)_SAAM-1974.28.25_1.jpg)
_SAAM-1968.115_1.jpg/500px-South_Texas_Panorama_(Mural,_Alice,_Texas_Post_Office)_SAAM-1968.115_1.jpg)
_SAAM-1962.8.60_1.jpg/500px-Sandbagging_the_Bulkheads_(mural_study,_Cairo,_Illinois_Post_Office)_SAAM-1962.8.60_1.jpg)
_SAAM-1962.8.50_1.jpg/500px-Early_Hobart_(mural_study_for_Hobart,_Indiana_Post_Office)_SAAM-1962.8.50_1.jpg)
_SAAM-1974.28.48_1.jpg/500px-Summer_(mural_study,_Dover,_Delaware_Post_Office)_SAAM-1974.28.48_1.jpg)
_SAAM-1974.28.332_1.jpg/500px-Summer_(mural_study,_Dover,_Delaware_Post_Office)_SAAM-1974.28.332_1.jpg)
.jpg/500px-William_Bradford_-_Whaler_off_the_Vineyard_(1859).jpg)
.jpg/500px-William_Bradford_-_Looking_out_of_Battle_Harbor_(1877).jpg)
_SAAM-1974.28.321_1.jpg/500px-Iowa_Landscape_(mural_study,_center_panel_of_triptych_for_the_Monticello,_Iowa_Post_Office)_SAAM-1974.28.321_1.jpg)
_SAAM-1974.28.320_1.jpg/500px-Iowa_Landscape_(mural_study,_left_panel_of_tryptich_for_Monticello,_Iowa_Post_Office)_SAAM-1974.28.320_1.jpg)
_SAAM-1974.28.322_1.jpg/500px-Iowa_Landscape_(mural_study,_right_panel_of_triptych_for_Monticello,_Iowa_Post_Office)_SAAM-1974.28.322_1.jpg)
_-_1977.99.2_-_Smithsonian_American_Art_Museum.jpg/500px-William_Clarke_Rice_-_October_(cover_illustration_for_Harper's_Magazine)_-_1977.99.2_-_Smithsonian_American_Art_Museum.jpg)
_SAAM-1965.18.32_1.jpg/500px-Mississippi_Packets_(mural_study,_Hickman,_Kentucky_Post_Office)_SAAM-1965.18.32_1.jpg)
_SAAM-1985.8.22_1.jpg/500px-Festival_at_Hamburg_(Study_for_Hamburg,_Iowa_Post_Office_Mural)_SAAM-1985.8.22_1.jpg)
_SAAM-1974.28.369_1.jpg/500px-Suburban_Post_in_Winter_(mural_study,_Freeport_New_York_Post_Office)_SAAM-1974.28.369_1.jpg)
_SAAM-1971.2_1.jpg/500px-Automobile_Industry_(mural_study,_Detroit,_Michigan_Post_Office)_SAAM-1971.2_1.jpg)
_SAAM-1980.133.4A_1.jpg/500px-Country_Fair_and_Trading,_Court_House_Square_(mural_study,_Harrisonburg,_Virginia_Post_Office)_SAAM-1980.133.4A_1.jpg)
_SAAM-1980.133.4B_1.jpg/500px-Country_Fair_and_Trading,_Court_House_Square_(mural_study,_Harrisonburg,_Virginia_Post_Office)_SAAM-1980.133.4B_1.jpg)
_SAAM-1980.133.4C_1.jpg/500px-Country_Fair_and_Trading,_Court_House_Square_(mural_study,_Harrisonburg,_Virginia_Post_Office)_SAAM-1980.133.4C_1.jpg)
_SAAM-1980.133.4D_1.jpg/500px-Country_Fair_and_Trading,_Court_House_Square_(mural_study,_Harrisonburg,_Virginia_Post_Office)_SAAM-1980.133.4D_1.jpg)
_SAAM-1980.133.4F_1.jpg/500px-Country_Fair_and_Trading,_Court_House_Square_(mural_study,_Harrisonburg,_Virginia_Post_Office)_SAAM-1980.133.4F_1.jpg)
_SAAM-1980.133.4G_1.jpg/500px-Country_Fair_and_Trading,_Court_House_Square_(mural_study,_Harrisonburg,_Virginia_Post_Office)_SAAM-1980.133.4G_1.jpg)
_saam_1910.1.4.jpg/500px-Admiral_David_Glasgow_Farragut_(half_length)_saam_1910.1.4.jpg)
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_SAAM-1970.335.24_1.jpg/500px-My_Mother_(Mrs._Israel_Rinehart)_SAAM-1970.335.24_1.jpg)
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![Henry Elliott Johnston, Jr. as "Cupid Stringing His Bow"](https://upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Henry_Elliott_Johnston,_Jr._as_"Cupid_Stringing_His_Bow"_SAAM-1906.9.16_3.jpg/500px-Henry_Elliott_Johnston,_Jr._as_"Cupid_Stringing_His_Bow"_SAAM-1906.9.16_3.jpg)
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1955
Robert Lansing Hardy Medal, American Institute of Mining, Metallurgical and Petroleum Engineers
1941